HER HEART BECAME MY HEART

Guitar Heart

I love writing for my blog, but lately I am passionately working on music and cannot tear myself away to write a post. But sometimes I feel compelled, and then I know it is time for me to write.

This post title refers to a beautiful new song arrangement that I recently created, which is a new version of my former song “Music From Her Heart.” My new arrangement is in first person, hence the title of this post. But it also has another meaning, because I want to share words from a woman who is dying from heart failure.

I always want my posts to be touching, and I realize that my musical updates might be repetitive. But music continues to help me deal with challenges, most notably the change in both of my eyes due to having PVD or posterior vitreous detachment.

 

Initially, I was overwhelmed by severe depression at the extreme change in my vision. But lately, I am finding that although my vision is unchanged, I am able to ignore it more and more. It is simply another example of acceptance in my life. Nothing stays the same and adjustment is always required for losses in life.

 

With loss, it is a common thing to tell yourself that things could be worse though it’s not at all comforting. I have a good friend with Stage 4 bone cancer, so I realize how lucky I am to have only an eyesight issue. Although I’ve lost a child, there are parents who have lost more than one child.

 

But I want to share something touching that did help me find a better “perspective” about my situation. Here is a wonderful new connection that I’ve made in my blogging world. I want to introduce everyone to Sandra Callahan.

 

Sandra has a blog that is called “The Dr. Says.” Below are words listed on her profile and the large blue link is to her blog:

The Dr. Says

Sandra Callahan

Five years ago I was diagnosed with congestive heart failure and went into multi-system failure and was put on a ventilator and dialysis. I was given a prognosis of five years, if I were lucky. Well, here I am five years later. Not well, but living with dying.

 

Sandra left a comment on my blog. I was curious about her and went to read her blog. From the first moment I read Sandra’s words, my heart was touched. I share now a few post links to her stories (in blue) and our correspondence. Her words are in brown.

 

http://thedrsays.org/2011/03/25/why-do-this/

 

My husband and others have mentioned I should write a book about my experience. They all seem to feel I have some unique insight into this whole dying thing. It didn’t take long for me to decide that a book would be a waste of precious time and doesn’t everyone think they are experiencing something in a way no one else ever has? We are not really that different, though I fear and delight in.

My sister said a blog would be perfect, although no one reads this so I am torn as to the purpose served here. If you are dying, then you don’t need my advice. As you can see, here I am trying to give this a go and secretly happy that no one will ever read it.

 

Judy said, May 31, 2013

It looks like many people are reading your inspiring words, Sandra. I plan to read more of your blog. Thank you for reaching out to me. I’ve said that every day is a gift and you are someone I aspire to model! I pray you are not in pain and suffering.

Sandra said, June 1, 2013

I am truly honored that you would choose to take the time to read my blog. You are an inspiration to me and I look forward to reading more of yours. 


http://thedrsays.org/2013/05/30/if-youre-going-through-hell/

Judy said, May 31, 2013

Why is it that I feel your post is personally directed at me now? I completely relate to what you wrote. I always have believed in moving forward, even though sometimes it feels like crawling! And you are correct, because that way we get to “the other side.” Thanks for a great reminder and excellent post.

Sandra said, May 31, 2013

Thank you, Judy. I am so glad you got something out of this post. Sometimes, I wonder if I am the only one that feels like this. Not that others are not doing this, but it is rewarding to know that someone connects with this.

Judy said, May 31, 2013

I believe there are many people who connect with what you write. You are honest and I am touched that you have read my writing. As I cope with eyesight problems, I realize your situation gives me more appreciation for living. Thank you, Sandra. 




Sandra said, June 1, 2013

What you are going through stinks! Losing your eyesight must be frightening. That is the good thing about just dying; I am not faced with making any big life long adjustments:)

http://thedrsays.org/2013/06/14/i-made-it/

Judy said, June 14, 2013

Your post made me cry. I am celebrating for you. I will pray for you to reach the 6-year mark. I started to write 10-year mark – I pray for that, too.

Sandra said, June 16, 2013

Strange, I feel this sort of makes me free of that hoping for x amount of time. Not that I seriously did that, we will continue to just be grateful for whatever time we have. There is a satisfaction in knowing I passed what medical science thought a reasonable guess based on their statistics. 
Thank you for your kindness and prayers.

 

http://thedrsays.org/2013/06/19/when-you-are-out-of-spoons/

 

Judy said, June 19, 2013

Your post makes me grateful for my life. I think spoons are a wonderful metaphor. We can feed ourselves with them. And we can feed other people. Both are beautiful when we understand that the ability to do that is a “gift with limits.” I won’t take mine for granted after reading this. Rest up and I’ll look forward to when you finish this post.

Sandra said, June 21, 2013

I hope that we can all appreciate what gifts we have. Thank you for sharing your thoughts.

Blake

“A pivotal moment”

I am inching closer to the finish line for releasing my audio book and song CD that accompanies it. Once I have released my book and music, I am eager to write and create a second audio book.

 

Every week, I record vocals and occasionally guitar tracks for my numerous song arrangements. Over a six-month period, I’ve worked on approximately 40 songs. I continue to write new songs, and also to create new arrangements for many of my older songs.

 

Last month, I put aside editing to work on a large illustration assignment. Even while illustrating, I still continued to record songs.

 

This is all a huge undertaking for me, since every song usually requires twenty hours of editing time. At the same time, I practice singing whenever possible. I record nearby my home with Darrin Kohavi, at his home recording studio.

 

Judy & Darrin close up

A pivotal moment occurred for me a few weeks ago when I was singing the last song for my audio book CD. It was “Music From Her Heart.”

 

For fun, I wanted to sing that song for my hypnotherapist, Connie. It was obvious how music continued to fuel me. When I finished singing for Connie that day, she asked me about my reasons for singing my song in third person.

 

Writing in third person was something that my editor, Carol, really disliked and discouraged me from doing. Carol told me that it was impersonal. She was correct, but it certainly made it easier for me to write about things that were painful with that distance.

 

I told Connie that I would show her the difference. I began singing my song in first person. When I finished, it was clear that this change was dynamic. My song lyrics were definitely much more touching because I could not distance myself when singing “I.”

 

I had to record a vocal for my song to go with my audio book. But my audio story was already recorded with the song lyrics as “she.” This was a dilemma for me. I didn’t want to rework my audio story. So instead, I decided to move forward to shifting to using “I” by creating a new song arrangement. I have not yet finished editing the vocal for it. So instead, I share my new vocal below for “Music From Her Heart,” the way I wrote originally wrote my song lyrics.

The link below is to more about this song:

 

MUSIC FROM HER HEART STORY

 

I have chosen to look at the things I am grateful for in my life, rather than the things that disappoint me. My eyesight is adequate, because I can still play tennis and notice lizards. A few weeks ago, I found a moment to take pictures of them! For fun, I am sharing those images.

Lizard on the court

Recently, I finished my new arrangement for “Music From My Heart.” It was such a beautiful solution! My new arrangement is gorgeous and inspiring for me. I cannot convey how healing it has been for me to create beautiful music that fills my heart.

My insight was that the shift from “she” to “I” was an integral part of my journey. Sometimes, I feel as if I hardly know who I am.

The woman I was for decades vanished and has become my shadow.

Like a shadow, I know she’s there – but I’m in the lead now. Occasionally, I hover outside of my body and see myself as a stranger. It’s confusing, exciting and emotional for me.

I love the new woman I’ve become. And I have definitely been reborn.

JUDY & HER MUSIC© 2013 by Judy Unger http://www.myjourneysinsight.comUnauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Judy Unger with appropriate and specific direction to the original content.

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MY WORLD WAS FILLED WITH SONG

In this picture, I am outside the guesthouse where I take voice lessons with Kimberly Haynes.

In this picture, I am outside the guesthouse where I take voice lessons with Kimberly Haynes. –

I find it astonishing how singing has become a perfect metaphor for my “new life.”

 

When I first began singing again after 30 years, I was afraid to sing strongly – I was told I sang too high and it was shrieky. So to avoid that, I softened my voice and sang with a breathy tone. I did not use my vocal cords at all.

 

When I began working with my second voice teacher, Kimberly Haynes, she taught me how to actually connect with my vocal cords and use my “red voice,” which is sometimes referred to as a “chest voice.” Blue voice is the higher end of my voice and that is sometimes referred to as a “head voice.”

 

It has been hard for me to stop singing breathy and to use my red voice.

 

Initially, it was wonderful to reach low notes and hear resonance I never had before. But the transition has not been easy. The notes in the middle of my voice can go either way. I often have pitch issues and croaking because my muscles aren’t yet strong enough for me to choose which way to go.

 

In order to develop this part of my vocal range, I have to use it and “allow it,” even though it often sounds croaky. I cannot control it. If I avoid using the muscles for red voice, my voice won’t improve.

 

I want my voice to have more of a dynamic range and most importantly, I can’t learn something that I’m not willing to try because it’s uncomfortable. This singing concept is an amazing metaphor that easily fits into my personal life.

Due to my eyesight issues, I haven’t like performing too much. I am more “focused” on editing song vocals for the many songs I plan to release by the end of this year. Recently, I played at Kulak’s Woodshed and it felt great to be back sharing my music.

Due to my eyesight issues, I haven’t felt ike performing too much. I am more “focused” on editing song vocals for the many songs I plan to release by the end of this year.

Change is possible with the willingness to take chances and do things differently.

 

Below are examples of singing as a metaphor for my life:

 

1. I overcome fear and anxiousness by accepting change and allowing myself to grow and make mistakes.

 

2. Softening words and stuffing feelings has been my method of operating for such a long time. Suppressing my voice by not saying my honest feelings left me numb and without emotion.

 

3. What might sound harsh, is something I must explore in order to find out what true expression is. It is completely new for me.

 

I plan to continue singing my heart out and learning how to use my complete voice. And at the same time, I plan to navigate my new life with the expression of my true feelings.

 

One of the most difficult things that I have dealt with is the amount of energy I’ve expended trying to please and make everyone around me happy. For years and years, my entire life was devoted to meeting the needs of others – especially my family.

Taking care of myself is a new concept. I am learning!

I don’t really care whether pictures are flattering or not. I share them to convey happiness. This picture is of my childhood friend, Joni and me. Joni came to listen to me sing and record guitar at Darrin’s studio. Joni’s daughter is Darrin’s girlfriend.

I don’t really care whether pictures are flattering or not. I share them to convey happiness. This picture is of my childhood friend, Joni and me. Joni came to listen to me sing and record guitar at Darrin’s studio. Joni’s daughter is Darrin’s girlfriend.

Two weeks ago, I had lunch with my high school choir teacher, Frankie Nobert (on the right). I am flanked by two of my good friends and former classmates. Carol is on my left and Amelie is on my right.

Two weeks ago, I had lunch with my high school choir teacher, Frankie Nobert (on the right). I am flanked by two of my good friends and former classmates. Carol is on my left and Amelie is on my right.

I played at an outdoor open mic last week. It was the second time in a week that I performed and the most amazing part was that my daughter also performed!

I played at an outdoor open mic last week. It was the second time in a week that I performed and the most amazing part was that my 19-year-old daughter also performed!

I often post audio excerpts from my voice lessons. I record them and enjoy sharing what I am learning. It sustains me, because I live in a musical world that is uplifting and joyful no matter what other circumstances I have going on in my life.

 

Music truly has blessed me.

 

I realize that many people are busy and don’t have time to sit and listen to my banter with Kimberly. For this post, I want to open a door into the world of singing and the metaphor of how my life is about trying new things and allowing for change.

 

Staying with what is familiar isn’t necessarily the best thing.

 

Therefore, I’ve transcribed those excerpts, but the words alone do not adequately convey the inflections, laughter, hugs and tears that can be heard as Kimberly and I share our passions.

 

I am a passionate songwriter.

 

Kimberly is a passionate voice teacher.

We both love singing.

 

What a great combination!

To play audio, click the blue links:

 –

LESSON WITH KIMBERLY – BLOG EXCERPT A – 6/16/13

 Kimberly’s words are in brown.

K.  So tell me about your voice. What’s going on; how are you feeling?

 

J.  I’ve been editing a lot. Actually there’s stuff I did a month ago that I haven’t even looked at yet, but it’s always hard because when I go into the studio I want to edit what I’ve just done. And I also want feedback from it.

 

K.  So is there something in particular that you want to work on first?

 

J.  I want to be a better singer! (Laughter) Help me with everything! I know all my flaws because I listen to them. I go, “Why did I sing it like that?”

 

K.  Well, your vocalizing is going well.

 

J.  I do the exercises before I sing because I want to be sure I’m warmed up. I sing in my car, though it’s not “mindful.”

 

K.  Right.

 

J.  I have not had alone time. I have to be honest. My daughter is still home and my son is usually home. There’s never any time when I’m alone. I can go to my car, but when it’s hot – I don’t want to sit in my car. So I have allowed myself to sing a little in my bedroom. I just think, “So what if they don’t like it.”

 

K.  Oh, so you feel like you can’t sing when they’re at your house – because they complain . . .

 

J.  Yes. When I talk about suppressing my voice – I have a big problem here. But thank god I have music; I’m telling you. This editing is tedious, but when I’m done and I finish a song, I just can’t believe it’s mine. There was one day I was just singing and I had warmed up a lot and I was singing some older songs; I thought, “I’m going to go back and just see how it’s going to sound.” And it was open and it felt so good! It’s like I’ve become a singer! (This was obviously on a day when my teenagers weren’t home!)

K. Awwww . . .

 

J.  Because I always say, “I’m not a singer, I’m not a singer!” I go, “Okay, I’m a singer,” because I could sing it the way I wanted to sing it. It was so great!

 

K.  Great!

 

J.  Thank you. We’re sharing our passion.

 

Judy does a vocal exercise.

 

K.  That’s empowerment.

 

J.  I’ve been practicing.

 

K.  It’s empowerment for you to know how to fix your own problems.

 

J.  This is what I love. Yes, that’s actually the whole point; it’s so great to have control!

 

K.  Yes!

 

J.  I love it.

 

K.  Excellent work, Judy.

 

J.  You’re the best teacher – what can I tell you?

 

K.  I mean to me . . .

 

J.  Oh, my god you’re crying! I love you! You’ve changed my life! All I can think of is what if I had put out my music before I met you. Oh my god, the difference! It is so amazing. Every day I kiss the ground and say, “God, thank you!”

 

K.  Oh, Judy . . .

 

J.  And it’s so funny, the day that you were singing – what was it about you that made me want to be a singer like you? It was your joy. You had a great voice, no question – and I’ve heard great voices. But you were like a light bulb; you were just shining and singing. That’s how I felt. And that’s what stuck with me. Isn’t that great?

 

K.  The joy that it gives me to see you capable, not just capable – but knowledgeable about what to do to fix what’s happening. You know that’s like teaching your baby bird to fly and then there they go! My job is done!

 

J.  Well, you’re in my head. I hear you. What do I hear? You’re singing to your baby; cooing. I mean I hear that word, because I have it recorded. I really am more than a model student. I’m like an obsessive student. (Laughter) – But look at the payoff!

 

LESSON KIMBERLY BLOG EXCERPT B – 6/16/13

 

For this clip, I share my vocal work with the new arrangement for “Music From My Heart,” which I am currently working on.

 

LESSON KIMBERLY BLOG EXCERPT C – 6/23/13

 

J.  (Discussing my red voice) I’m so determined to get it that I just lay into it and I know that it’s part of that process. I love the metaphor when you said to me, “We have to allow and not control the transition; to let it happen.” That is such a metaphor for my life, because I’m trying to find my voice in my life with my teenagers and I’m thinking, “Just allow it! Just let it happen and then it will iron itself out. Get used to it! ”

 

K.  I know. I’m dealing with stuff like that, too. Allow, allow, allow! You know, and not to be gripping – onto the way it should be! The way I want it to be!

 

J.  Connecting is big. Softening things sounds better, but it isn’t the true voice. Isn’t that the case?

 

K.  And I don’t think it does sound better.

 

J.  No, and actually it’s not healthy.

 

K.  And when you soften the way you deliver your songs, it doesn’t sound committed.

 

J.  It adds something interesting, drama. It’s boring, otherwise.

 

K.  No, I don’t know if it’s boring. If you’re a person who’s listening to the song who doesn’t listen to the lyrics the way that you and I do, that person who doesn’t listen to lyrics will hear the dynamics of a song.

 

J.  Right.

 

K. So you want to add that because then those people who are not necessarily listening will all of a sudden go, “Oh, she sang something different now. What did she sing?”

 

J.  Yeah, it makes it interesting. (We work on a song) It’s fast and I have to navigate it quickly. This is all hard for me.

 

K.  Because you’re singing with blue voice and you’re trying to hold onto it.

 

J.  Oh god, I have to think when I sing about everything and it’s all new. I’m getting there, but it’s frustrating.

 

K.  You’re doing so great.

 

J.  I don’t find it critical. I know what my problems are and I have to fix them.

 

Kimberly demonstrates a line in Judy’s song that is loud.

 

J. I don’t know if I like the sound, so I hold back – I’m holding back. Because I want to let it out – but’s it’s like the vibrato starts shaking . . . I sound like Tarzan!

 

Judy’s laughing and Kimberly makes a sound like “fffftttt”

 

J. I was actually thinking with all the time I spend on editing, if I was spending less time on editing and more time on singing – it would be better!          

 

K.  It would.

 

J.  Yes, because I don’t have as much time to work on everything. I go into the studio and it’s “let’s record.” And then I’m done. Like I said, I can’t sing for more than half an hour and that’s it.

 

K.  So then, if you spend your time being really mindful of how you’re singing each song and memorize the feeling, then you go in there and you sing it three or four times and that’s it.

 

Judy demonstrates a line in her song where she croaks.

 

J.  This is when I have this problem – this is exactly what it does and it’s so frustrating on songs. I want to use my red voice and it’s like the larynx is not listening. I don’t know how to fix it. I don’t want to push it down; I try to set it up. The muscles I use, they aren’t behaving.

 

K.  Okay, it’s not a question of opening your mouth bigger. You’re voice is here – not in your mouth.

 

J.  I’ve always thought I have a “biologically challenged throat.” Remember when I told you I thought I had tightness because I have a small opening? I’ve always said my larynx is different from other people’s larynx – it doesn’t want to listen! It wants to be tight!

 

K.  No! Everybody’s larynx has to be trained to listen.

 

J.  Really?

 

K.  Just like you have to train the muscles to be a tennis player or any other kind of athlete.

 

J.  But there are those people who just open their mouth – it’s all open. Why couldn’t I be born like that? Come on, we know!

 

K.  Pfft. I know – but they’re few and far between.

 

LESSON KIMBERLY BLOG EXCERPT D – 6/23/13

 

J.  You say “You and I,” but it’s hard for me to imagine you with a tight larynx.

 

K.  Oh, but I had so many issues with my voice over the years and frustration.

 

J.  I don’t see that side to you at all.  You’re going to have to explain it, because to me you have the perfect voice.

 

K.  Oh my god, I had extraordinary issues and that’s how come I know very well what it is to sing only in blue voice.

 

J.  I love you. You know me – sister!

 

K.  It’s scary to train yourself to sing in red voice. It’s scary to hear that grinding sound at first.

 

J.  It sounds great when I get it. I love what you said – you can rely on it. It’s scary to try something that doesn’t sound good at first.

 

K.  It is. And it has to grow in its flexibility. The thing about your red voice right now is that it doesn’t have that flexibility. It’s very rigid; like a board. We want flexibility like a stick of bamboo.

 

J.  You know a vocal exercise is like walking and a song is like running. I’m so quick to want to run into my song – but I’m still walking! And I have to translate that and I’m just not fast enough.

 

Judy and Kimberly work on a song.

 

J.  I feel like for a second, I’m getting it! I just felt it!

 

K.  It was better.

 

J.  It took practice.

 

K.  Well, yes.

 

J.  But I had to suffer and listen to how bad it sounded until it came through. I just have to stick with this.

 

Judy and Kimberly continue working on a song.

 

K.  You see now how you were out of pitch?

 

J.  Completely.

 

K.  You were out of pitch because you didn’t use your vocal cords.

 

J.  Right – I was going to blue voice, something old. I heard it come right out.

K.  Good! Being really aware of your habits is the key.

 

J.  It’s just such hard work.

 

K.  I know.

 

J.  It’s okay, I’m not complaining. I just want to get there.

 

Judy starts singing and croaks.

 

K.  That used to happen to me all the time. I know that feeling so intimately.

 

J.  I can’t believe this.

 

K.  I did!

 

J.  How many years? Tell me.

 

K.  It was quite a while ago. To be honest, it was ages ago. But I know that feeling and the whole key to this is strengthening the vocal cords. They don’t know how to stay taut yet.

 

J.  They haven’t learned.

 

K.  Because you’re singing these notes (she demonstrates) right here. Not only is that a transition area – where you can go either way with the voice there, but you’re handing the baton off from one set of muscles to another set of muscles and they’re not strong enough yet to know how to negotiate with each other. So the connection falls apart.

 

J.  Okay.

 

K.  But it will not be that way always.

 

J.  I love you. See, this is what is so great about you. Am I one of the few students that sings in blue voice that you could relate to? Like when you found me – I did what you did?

 

K.  Yes. I haven’t actually had that experience before.

 

J.  I am so lucky to have a teacher that has gone through this and come out the other side! I mean how miraculous is that, Kimberly?

 

K.  Yeah, it’s pretty good.

 

J.  You have personally done this – I love it!

 

K.  Yes, I have personally done this.

 

J.  So I can believe you, I believe you!

 

K.  I sang my whole young life in blue voice and I didn’t use this strong part of my voice, but I’ll tell you when I started using it, everything else became stronger, too. You’ve got to strengthen your voice from the ends.

 

Kimberly points to notes on a keyboard.

 

K.  So the ends are here. This is the middle. And when we come into the middle – it’s like quicksand. In the beginning, it’s like you’re on a tight-wire.

 

J.  But I think what I’ve been doing is – I’ve been a good student doing exercises, but then when I’m singing my songs, I’m not applying it. This is a perfect way to do it.

 

K.  Yes.

 

J.  I can take these songs that are low and force myself.

 

K.  To sing with this muscle group.

 

J.  Okay, I haven’t been doing this. I can see now, why. It’s hard work. Thank you.

 

K.  You’re so welcome. It is hard work, Judy. But you’re a great student. And you’re a trooper, honey. I just flog you all the time!

 

J.  No, this is so exciting. Because I want to get to the place where this becomes more natural. Is there surgery for a larynx that doesn’t listen?

 

Judy is laughing.

 

K.  Oh, my god. No, it’s work.

J.  I’m teasing you. Everything in this society is fixed with either surgery or a pill. “Open my larynx – can you please fix it?” Oh, god forbid – exercise!

Kulak's 6-17-13 #1

© 2013 by Judy Unger http://www.myjourneysinsight.comUnauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Judy Unger with appropriate and specific direction to the original content.

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SONG OF JOY-PART 2

I created this painting for a romance book novel named

I created this painting for a romance book novel named “Three Weddings & A Kiss.”

For more stories, recordings and performance: SONG OF JOY

Song of Joy Home Recording 7-20-16

SONG OF JOY INSTRUMENTAL

Avon - Bridal

Although I was legally married in November, my formal wedding was on June 21, 1981. Tomorrow is my anniversary. My divorce is not final yet.

 

Two months ago, I began working on the song that I sang at my wedding in 1981.

 

I composed my wedding song named “Song of Joy” in 1980. At that time, my mother was adamant that I not perform at my own wedding. But in a rare display of strength, I overruled her. However, I had to satisfy my mother’s requirement that my song fit into a religious Jewish ceremony. At the suggestion of our rabbi, I gleaned my lyrics from “the seven blessings.” According to Wikipedia, “The Seven Wedding Blessings” or Sheva Brachot are a mosaic of interwoven Biblical words, phrases and ideas.

 

When I began to rediscover and record my songs from thirty years ago, I loved the melody and chords for “Song of Joy.” I was pleased that I hadn’t forgotten my song.

 Walking down the aisle

The original lyrics included my husband’s name. In 2010, I changed the lyrics to make the song less personal and renamed it “Together.” Although the arrangement for “Together” was quite beautiful, when I went to record a new vocal for it I decided my song would benefit from a fresh new arrangement.

 

With this new arrangement, I expanded my song to include an additional verse. I was about to revise the existing lyrics, but then I remembered that I had followed the seven wedding blessings. I liked the idea of my song being a template for a wedding using those blessings even though I disliked the line about “perfect joy.” It sounded like a set-up for marital failure with high expectations. But because it was used in the seven biblical blessings, I decided to leave it there.

 

My new verse did not use any biblical words and simply came from my heart. I felt great emotion with the words “Together they hope only goodness fills their lives.” It was because I remembered my wedding day. My husband and I began our new life and had no idea of the future challenges we would face together. The words of “As the years go by, this day they’ll remember,” are especially poignant for me. My parable about the Princess below certainly sheds more light on this.

 

Recently, I decided to change the song’s title from “Together” back to “Song of Joy.” I preferred to focus more upon joy, because “Together” was a reminder that my husband and I were no longer together.

 

I love the idea of having a wedding song in my repertoire.

 

For me, I feel like I am starting a new life. It is simply a beautiful start in a different way.

Rose Bouquet close-up

 

SONG OF JOY

 

Together they are

partners and best friends

they create perfect joy

like first lovers in Eden

Together they will

create life in god’s image

and so with the blessings above

They begin their new life today

 

Oh Lord, my God, may this song of joy for them

Play through the streets of Jerusalem

Oh Lord, my God, on this sacred day they’re wed

We celebrate their future ahead

 

Together they stand

with fingers intertwined

as the years go by

this day they’ll remember

Together they hope

only goodness fills their lives

Facing their future

and dreams they look forward to

 

Oh Lord, my God, may this song of joy for them

Play through the streets of Jerusalem

Oh Lord, my God, on this sacred day they’re wed

We celebrate their future ahead

 

Oh Lord, my God, may this song of joy for them

Play through the streets of Jerusalem

Oh Lord, my God, on this sacred day they’re wed

We celebrate their future ahead

Oh Lord, my God, may this song impart

wishes for their beautiful start

for their beautiful start

for their beautiful start

veil & my mother

 

When I was married in 1981, only a few people knew that I had already been married six months earlier. I wrote about this when I first arranged my wedding song three years ago. Below are links to posts I wrote at that time:

TOGETHER

A BEAUTIFUL START

I carry a lot of trauma surrounding my wedding day. It was not the beautiful start that I had envisioned, because I had been forced by my mother to marry six months earlier. On the day I was legally married, I was too ill with a stomach upset to even stand up. The six-month period where it needed to be kept a secret before my big wedding was awkward and fraught with stress.

 

But when I sing my song, I am healed from all of my sadness.

Rosebud right

 

Wedding veil

© 2013 by Judy Unger http://www.myjourneysinsight.comUnauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Judy Unger with appropriate and specific direction to the original content.

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I CRY INSIDE

Songwriting is both mysterious and magical for me. A song is born when it reveals itself to me and the process is fantastic!

Songwriting is both mysterious and magical. A song is born when it reveals itself to me and the process is fantastic!

My post title is another line of lyrics from my song “The Unknown.” It is no coincidence that currently my song plays through my life because I have been working on editing a vocal for a beautiful new arrangement. When I wrote my song in 2011, I was horrified by my lyrics. It was because they were so revealing and honest.

 

When I first composed my song “The Unknown,” I wasn’t sure if I would ever perform it. I already have, and recently I arranged my song for the second time. Eventually, I will share it on my blog when I feel ready.

 

Below I share an instrumental version of my song. Clicking the blue link plays audio:

 THE UNKNOWN INSTRUMENTAL – Copyright 2013 by Judy Unger

The lyrics of my song that I used for my title go: “My tears I hide when you are near me, I cry inside where you can’t hear me.”

 

Not long ago, I had a post with the lyric title of “my tears I hide.” Crying inside accurately describes what happens when I hide my tears.

 

I operate on that level more than I’d like to admit. I hide my pain, while inside I am screaming and crying. It has been quite difficult for me to release my feelings and very unhealthy. In order to numb myself, it is far easier to indulge in overeating and the result has been awful for me. I am certain that the reason my music heals me is because it is the one place where I can freely express myself.

Writing for my blog is also wonderful, but unfortunately there are so many things I cannot share. For sure, I try to be careful not to say anything that might be upsetting to my teenage children or soon-to-be ex-husband.

Below, I share more about my life discussing music with my voice teacher, Kimberly Haynes. On the first clip, I share a portion of my song “The Unknown” and discuss with Kimberly a performance, which I shared on my blog two weeks ago. On the second clip, it is notable again that singing is a metaphor for my life. Singing breathy and unconnected is something I am trying to steer away from; I far prefer a connection with my vocal chords. In my life, I also want to be more connected with my true voice!

Clicking the blue links plays audio:

Lesson Clip with Kimberly Haynes 5/26/13

 –

Lesson Clip with Kimberly Haynes 6/3/13

fruit land

“Can you function?”

The retinologist’s words were crisp and firm. “Can you function? Can you do your work in order to sustain an income?”

I looked at him and hesitated. Softly, I said, “Yes, but it’s pretty tough. I get headaches and it’s frustrating.”

He spoke kindly and said, “It’s very important that you understand why I’m asking you this. If you tell me you cannot work or function, I will schedule you for a Vitrectomy tomorrow.”

I had read about this procedure. It was rather drastic. The gel in the eye is replaced with vegetable oil. Walla! I’d have crystal clear vision again. But of course, nothing is that simple. The procedure is quite risky.

He explained that it was a routine surgery for him; and he did it often. He said it would take less than an hour; then I would go home and live with the result. With seriousness he told me that there were rare instances of failure and he remembered each and every case.

Due to my nearsightedness and elongated eyeball, the procedure definitely carried more risk for me than the average person. His recommendation was that I wait at least a year to be sure. As I left, he told me that it was more than likely that I would adjust with time.

I walked to my car. The sunlight was painful and my vision was swirling with feathers and lines. I put on sunglasses and tried not to cry.

I decided I liked this doctor. Mostly, I appreciated his compassion.

Strawberry Final

I had made this appointment because I was so discouraged by my eyesight; I wanted reassurance that my retinas were still intact and felt it might not be a bad idea to see another eye specialist. I had already read a lot about PVD (posterior vitreous detachment) on the Internet and knew there wasn’t a simple cure for me.

I had actually been given a referral to this doctor a month earlier after I informed my HMO that I wanted reimbursement for a second opinion. My request for reimbursement was denied, even though I had given prior notice. I was given a referral to see this retina specialist from my HMO instead. I made an appointment, but it was several weeks away and I was miserable.

I did not have the energy to appeal the denial of my $250 expenditure.

The doctor that dispensed my second opinion recommended a laser treatment to help treat a common complication that resulted from my cataract surgeries.

Finally after complaining, I was given a sooner appointment where a doctor at my HMO performed the laser treatment. I was told I could cancel my appointment with this retinologist.

After the laser treatment, I was hopeful that my eyes would improve. But it was not the case. A few weeks later, I had a second PVD when my vitreous gel separated in my “good” eye.

On top of that, I had painful dryness in both eyes that was excruciating. All the while, I was busy working on an illustration assignment. Thankfully, my computer had a large screen that was helpful for my eyes.

It was my music that continued to keep me going and helped me the most.

In those wrinkles, I see a heart shape.

In those wrinkles, I see a heart shape.

“A compassionate pillow”

I was under hypnosis. I heard Connie’s voice and she said, “Allow an image to form that represents compassion for you.”

An image came to me quickly. I easily pictured the pillow on my bed. I waited because I wanted to be certain about it. After a moment, I couldn’t see another image and I could see it was going to be interesting to talk about.

 

I said to Connie, “Okay, I’m looking at my pillow. You know, not too long ago I wrote some song lyrics about my pillow. It has tearstains on it.”

 

Connie asked me to describe it further and I began to chuckle. There was an analogy already forming in my mind when I remembered the feathers. Occasionally, they slipped out and delicately floated within my vision; just like my floaters. But my pillow represented compassion because it was soft and I felt safe with it. I wasn’t sure where I had gotten it – it might have even been an old one from my parents. For sure, it was pretty old.

 

I talked more about pillows and how new ones weren’t soft enough. They were usually too firm and ended up being ones that I put under my legs. As I remembered my former life and bed – I felt sadness creeping in.

 

My eyes were closed and I heard Connie’s voice gently ask me, “Allow yourself to become that compassionate pillow. What words would you tell Judy?”

 

All the while, I kept wondering why I had picked my pillow. I often wrote about grief with deep compassion for others, but I decided I had picked this image because I needed more compassion for myself at this juncture.

 

I said to Connie, “This pillow thinks it might be a good idea if she rested more.”

 

That was no surprise. I came to my appointment very tired and told Connie I had gone to bed after editing a song until 1:30 a.m. Then at 6:00 a.m., I woke up to listen to music.

 

I searched to imagine what I would tell myself beyond that. The words from my subconscious began to slowly form.

 

Softly, I said, “The pillow wants Judy to know that it will always be there for her – she can take it wherever she goes. With all the uncertainty in her life, she knows that it will hold her head softly and support her.”

 

Tears lightly streamed down my cheeks as I added, “This pillow has traveled so far from where it started. It used to be on a larger bed that she once shared. This new destination is something she never imagined. She has come so far!”

This is a photo I enhanced to use for my song cover for “The Unknown.” I cropped in on the one baby hummingbird that would soon fly away to face a new life outside the nest.

I enhanced this photo taken outside of Connie’s guesthouse for my song cover for “The Unknown.” I cropped in on a baby hummingbird that would soon fly away to face a new life outside the nest.

“I simply did not want to look at what bothered me”

I came to my hypnotherapy session in a dark state. I had been that way ever since my good eye experienced a vitreous detachment a few weeks earlier.

 

I looked forward to my weekly sessions because I loved to share my music that I was currently working on with Connie. Other than my voice teacher, Kimberly or arranger, George, I had no one else to share my passion with. My children hated if I talked about my music, so I seldom mentioned it.

 

I told Connie that just before our session I had an idea about something I wanted to write about. I seldom had time to write and preferred to work on songs instead whenever possible.

 

My idea was for a metaphorical story about how I was a gardener that was cultivating a song garden. It was such a beautiful concept for me. There was irony, though.

 

I had written a poem during my deep grief and named it “My Garden.” In my poem, my children were plants that were watered with my tears after my first plant died. Because I’ve sometimes felt like my songs were “babies,” my metaphor also tied into my former poem.

 

I told Connie that I wondered when I would feel better. If it were not for my eyesight issues, things were going fairly well in my life. I tried to stay grateful for the many good things that had happened to me.

 

But the reality was that my mood was very down. I told her how living with cloudy eyesight was a constant source of sadness. But amazingly, I had acuity – I could accurately see an eye chart, despite the large black floaters and curtains on the edges of my eyes. Although the dryness wasn’t as acute; I still had sensations of feathers in my eyes many times during the day.

 

I was encouraged though by brief moments when the cloudiness seemed to dissipate – sometimes it happened while I was driving. I was sure that it was because I was focused on something else. I’d notice the clarity and get elated, but with one blink, the curtains and blurs returned. Then my heart would sink.

 

I always reminded myself of the statement, “The more you look for something, the more that you will find it.” Was I looking for clarity or my muddy eyesight? It was difficult to decipher and frustrating. I was desperately hoping that hypnosis might help me. I wanted to find insight about my choice of a pillow to represent compassion.

 

Although there were analogies to my life, I still felt frustrated that there seemed to be no answers that could help me deal with my eyesight.

 

I knew I needed more compassion for myself. I told Connie that I didn’t want to wallow in self-pity. I was grateful that I could still see and function. Clearly, I wasn’t a candidate for an immediate Vitrectomy.

 

There was so much pain erupting inside of me. It was raw and stabbing. I pushed it down. I wanted to say how unfair it was, but stopped myself. Life was not fair and I already knew that.

 

I told her how I was trying to deal with it.

 

I simply did not want to look at what bothered me – I just looked through the floaters. But it was like wearing dirty glasses that couldn’t be wiped.

 

Connie gently said, “Can you see any parallels to your own life with those words?”

 

It dawned on me that there were definitely parallels. For decades, I lived in Zombieland. I suppressed my feelings by ignoring the things that bothered me. It was important for me to please my children, my parents and my husband. That was my existence.

 

With my healing, I began to dream again and I looked forward to things. So now I had a new coping mechanism; I looked ahead to avoid the pain I felt in the present. It was far preferable than looking at the pain right in front of me.

 

All of this was very familiar indeed.

 

As I coped with this situation, I realized that I wasn’t allowing myself to feel. I was numb as I pushed down the emotions that were too painful to deal with.

By suppressing my emotions, my pain rose up directly in front of me to force me to acknowledge it!

I looked at that trail ahead of me and was hopeful I could do it!

I looked at that trail ahead of me and was hopeful I could do it!

“Her words were like music to me”

The next morning, I awoke and did not rush to get up. My pillow was soft and I grinned surveying my bedroom. My parents might have slept in that room for over forty years, but it was my room now.

 

I loved the peacefulness and freedom.

 

It was a Sunday. Earlier in the week, I had completed my illustration assignment. It was no easy feat. To celebrate, I had worked endless hours on my music. I really did want to feel better about life. With everything I had gone through, I didn’t want to suffer and become a Zombie again.

 

A few days earlier, a friend had asked me if I might consider dating and I burst into tears. I emphatically said I savored being on my own and couldn’t imagine spending my precious time with anyone. As I spoke those words, I realized how sad they were and that caused even more tears to flow.

 

I knew my eye situation wasn’t the only thing I was dealing with. My mother was withering away; she had lost seven pounds over the last two months. And although my children were adjusting to separation and divorce, I felt heartache at every turn. I was relieved that our home had finally sold, but as my husband and oldest son were moving I felt sadness for what they were going through.

 

There was a metaphor for me when my oldest son put the mounted puzzles that once adorned his bedroom into the trash. I felt many pangs when he told me that he had no desire or space to save them. Those puzzles required endless hours. Together we had worked on almost a dozen; most had over 1,000 pieces and held memories of the time we spent together.

 

My son had been so proud of them that one time he brought them to his elementary school to share for an assembly.

 

I had already taken as much memorabilia as I could and had little room to store anything else in my coop.

 

I countered my pangs knowing I could hold onto the memories, rather than the objects.

 

There were many pangs as I remembered what I went through while throwing out most of my children’s school records and reports. I decided I needed fewer reminders of all my years of advocacy to fight for services that would help them.

 

I thought about my hypnotherapy session and suppressing my feelings. So often I have said, “Thoughts equal feelings.” I desperately wanted to harness the power of my mind to help myself.

 

The truth came to me that as upsetting as my eyesight was, my weight bothered me even more. I usually tried to be gentle with myself about it. I felt I would diet when I was ready.

 

But that wasn’t happening, and I was feeling worse and worse. I kept gaining weight and it made life much more difficult. I realized that I couldn’t “fix” my eyes – but this was something I did have control over.

 

I remembered how when I began my journey, I had lost weight and as a result felt wonderful. Perhaps this alone could make a difference for me. Only I could do this, though.

 

It was Sunday, and I had to drive my son to visit a friend. I remembered it wasn’t far from a place that my teenage daughter had mentioned she wanted to take me.

 

I knocked on her door and said, “Are you in the mood to hike today? I have to drop your brother off and it’s not far from that hiking area you once told me about.”

 

I fully expected her to say no, especially because I had to leave in five minutes. I was shocked when she said yes. My daughter always needed at least half an hour notice to get ready. But she said she was willing if I’d give her ten minutes.

 

We left the house and as I drove, both my teenagers bantered in the car. My daughter said, “This is great about your being willing to exercise, Mom! I have a saying about exercise.”

 

My daughter said, “If you’re too comfortable, then you’re not improving.”

 

I knew she was relating that to her workouts, but I thought about how that also applied to sitting still in life!

 

We walked on a trail overlooking the city for an hour. I noticed we weren’t arguing like we usually did. But we did argue about how long the hike was. She said it was only 40 minutes. She said that the walk from our car to the trailhead didn’t count.

 

For me, every minute counted!

 

I did pant in a few spots. My clothes were completely soaked. I had an opportunity to listen to music briefly, when she chose to jog ahead of me and run back.

 

As she zipped by me, her words were like music.

 

“Mom, I’m so proud of you!”

Hiking overlook with arrow

  

I watched her continue to jog ahead of me – she was gorgeous and fit. I remembered when my daughter ate only fried food and her favorite vegetable was a French fry. Now she was so health conscious; I wish I hadn’t worried about her as much as I had.

 

We came home and I felt much better.

 

The afternoon was ahead of me. I was excited to write and to sing. I rested and showered.

 

For three months now, I had not written any new music. I did have a melody and chords for a new song. Slowly, I was writing the lyrics.

 

I picked up my guitar. The verses were done, but my song needed a chorus. I began to work on the lyrics to complete my song.

guitar and lyrics close up

 

THE PRINCESS AND HER WORDS

 

Sometimes, the Princess remembered the dragon. It made her sad when she imagined he was once her Prince. Perhaps it was only in her imagination and he had always been a dragon. But what caused her great pain was the knowledge that forever the dragon knew her intimately in ways that no one else could. It was a bond that was difficult to simply sever and ignore.

 

But she realized she knew the dragon intimately, too. Those thoughts were also painful and she chose to push them away.

 

It was interesting how a few simple words changed their lives. She struggled to release those words for a long time. They tore at her tongue and were acid in her soul. When her father died she could not continue to hold those words anymore. She accidently released them to her oldest son.

 

Immediately, she was horrified. She had spoken those words to the wrong person. Her son’s anguish was more than she could bear. But her son was so wise. Despite his own shock and pain, he insisted that this was a secret she was not allowed to keep any longer. The Princess shook and shook with terror – she wondered how she would ever find the courage.

 

Her son told her, “Just do it. Kick the bucket!”

 

She surveyed the castle and all that she knew would disappear like magic with those words. She climbed the stairs. Over and over she heard his words, “Kick the bucket, kick the bucket.”

 

The dragon wondered what the Princess was going to say. He looked surprised. Rarely did she ever tell him she had something to say to him directly. He stopped what he was doing and waited.

 

Time was frozen for the Princess. She wanted to vomit, but instead she threw out the words. “Our marriage is over.”

 

The dragon was calm and cool. They spoke for a few moments about letting their children know and discussed how to tell them. Suddenly, time began to move quickly.

 

The Princess waited for the relief to come, but it eluded her.

 

It was only the beginning . . .

 

I will shine

© 2013 by Judy Unger and http://www.myjourneysinsight.com. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Judy Unger with appropriate and specific direction to the original content.

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